Next Big Thing… Continued!

8 Feb

I so enjoyed taking part in the ‘Next Big Thing’ project at the end of last year; it’s a fascinating way to find out a little bit more about a new artist, poet, writer, illustrator or even comedian. After my own questions, I was more than delighted to host the heavenly Mlle Alashiya Gordes, who talked about her first novel, Halos, written during NaNoWriMo. Then sidled up mutual acquaintance Mr Robert Frimston Esq., of comedy duo, Frimston & Rowett. A true pleasure.

I know far too many wonderfully talented people, and a good chunk of them hail from, work in, or reside around the South-West. (Of England, all you internats’. Rainier and more cynical than Calexico, with the addition of marmite.) So, I have decided to feature them here, or as many of them I can cajole into answering eight illuminating, soul-bearing questions about their art. And biscuits.

This week, I’m jubilant to introduce the immensely talented photographer, Rachel Sherlock.

© Rachel Sherlock

What first drew you to photography?

Well I’ve always been a little bit in love with photographs. When I was a young one, seeing old pictures of my relatives when they were my age and finding photos of people I never got the chance to know always felt pretty magical. Then a few years down the line everyone around me became obsessed with taking pictures of themselves looking their best, which for me was horrible because I could never take a good picture and I knew others felt the same. So I tried to fix that and make us all look and feel good… and it just went from there I guess.

 

What, who or where are your favourite places to shoot?

I’m a people person, if there’s no-one in my shot then it doesn’t interest me. As for my fave to photograph.. I couldn’t tell you. Everyone’s secretly a model no matter how much fuss they make about being in front of the camera. The field opposite my house will always be favourite place to take pictures, it feels like I could never take a bad photo with the trees and the river and all kinds of wierd and wonderful flowers. I love it!
 © Rachel Sherlock

Does your current work have a particular theme?

Not particularly, as long as my model feels good and likes the results, I’m a happy girl. What themes or style we decide on depends on who I’m photographing and what kind of person they are.

 

Name a few inspirations. (I know it’s difficult! You can say Cyndi Lauper if you like…)

Tim Walker, Rosie Hardy, Charmaine Olivia and of course, my beautiful Grace Chew. She’s my American best friend and WHAT a talent! If any of your readers fancy discovering an up and coming creative genius, look up GACHEW on instagram or flickr. She is a wonderful photographer and beautiful person too. Then I have my buddy Martin Gillman and my Auntie Jane who are always full of encouragment and good advice.
© Rachel Sherlock

What has been your biggest learning curve with your craft?

I’ve learnt that if I’m going to make it in this industry I need to experience as much as I can and get to know as many people as possible. With experience, you learn more and more about yourself and your craft. The more weddings I shoot and studio work I experiment with, the more I get to know my camera and how I like to use it. It shapes my style, my portfolio and my creativity. As for getting to know the people around you, I don’t think there’s anything more important. You never know who might end up being your closest friend, who might be able to help you move forward in your career, and who might do or say things that with teach you life lessons that everyone needs to learn. Be a people person, experience everything.

 

Top do’s and don’ts for aspiring photographers?

Don’t lose your camera, that’s never a good thing.. (That was a life lesson I could had done without) Do push yourself to try bigger and better things. Oh and DO spend time in the darkroom developing your own photos from scratch, it’s good for the soul!
© Rachel Sherlock

Can you describe your style in three words?

People, expression, beauty.

 

Which are your favourite of the following – custard creams or bourbons? Gin or tea? Noon or midnight?

Custard creams, what else?! And gin at midnight, because no good story started with a cup of tea at noon.
© Rachel Sherlock

Where can we see this wondrous work of yours?

Well! You can either visit my facebook page by looking up Rachel Sherlock Photography. I’m rachelanthea on instagram or you can head over to my website:

http://rachelsherlock.500px.com/#/0

Next Big Thing: Part III

29 Dec

Grovelling apologies to one and all; the turkey beckoned, grandma’s chocolate yule log ensnared us all with its charms, and Christmas overtook last week’s Next Big Thing. If I am forgiven, please, gentle (and festive) readers, scroll down for answers. This week, although belatedly, I’m delighted to act as host to the charming Mr Robert Frimston Esq., of comedy duo, Frimston & Rowett.

1. What was the title of your last Edinburgh show?

Frimston & Rowett: Huge Mistakes

2. Where did the ideas come from for the show?

The idea for an individual sketch can come from anywhere at anytime – a stray thought, a passing comment, just letting your mind wander. That said, most of the best ideas come from (or are developed by) talking them through together. If one of us has the initial inspiration, the other will often find a different angle to make it funnier. We came up with the overall theme of mistakes simply because it’s the basis for most sketches ever written – without some kind of mistake, there’s usually no joke.

 

3. What genre does the show fall under?

Straightforward sketch comedy. It had a fairly loose narrative structure, but for the most part the sketches were unconnected.

4. What actors would you choose to play the part of your characters in a movie rendition?

I’m going to go for James McAvoy as me and Ryan Gosling as Ed. May as well aim high.

5. What is the brief synopsis of the show?

The blurb we used to use for publicity was: Frimston and Rowett have been through a lot together. They’ve fought together, loved together, lost together. Now they’re lightening up a bit and doing an hour of comedy together. Join them for an hour of sketches the like of which no man has seen and lived.

6. How long did it take you to write the show?

The bulk of it came together over a period of about three months, but it included sketches written over more than a year (including some we’d actually written prior to our previous Edinburgh show, and one we wrote a couple of days before the first performance). We were writing and performing new sketches on a monthly basis, and gradually piecing the show together from the things that worked best.

7. What other comedy acts would you compare your show to?

The people we’re most often compared to are Fry & Laurie or The Two Ronnies. We tend to write in a relatively old-fashioned style with a heavy emphasis on wordplay, in a way that harks back to the Two Ronnies tradition more than the current, slightly more surrealist style. We both just really like jokes, so that’s what we write.

8. Who or what inspired you to write the show?

Ed and I started writing together primarily because we had been friends for some time and shared a very similar sense of humour. We were at Cambridge at the time and surrounded by opportunities to write and perform material, so we just decided to give it a go. I don’t think either of us expected we’d still be doing it years later. After our first Edinburgh experience last year we were keen to return with a new show, which is how Huge Mistakes came about.

9. What else about the show might pique an audience member’s interest?

We intentionally worked a more narrative element into this year’s show, involving a framing device where we played ourselves and wrapped everything up at the end. This hopefully made the show more of a coherent whole and gave people a more memorable experience. But to be on the safe side I also used to flyer dressed as a satyr, wearing a pair of furry trousers and no shirt. It’s a strange business.

10. What will you write next?

We’re constantly writing new material, and we’ve started doing a regular monthly show in Central London where we host other acts and try out our new stuff. In addition, we’re always racking our brains for a good sitcom idea…

http://www.frimstonandrowett.com/ 

 

Next Big Thing: Part II

12 Dec

This week, The Next Big Thing returns to starkholborn.com! I’m lucky enough to be acting as host this week for one of my dearest friends, the inestimable Alashiya Gordes. She in turn has nominated a likely band of writers, photographers and even a comedian! You’ll find links to them below, along with her answers, fresh from the banks of the Tiber. So settle in on this cold winter’s night and enjoy.

Alashiya Gordes:

Last Wednesday, the glorious Stark Holborn of Nungslinger fame (aka Laura, or ‘Pixie’ to some) tagged me to be part of ‘The Next Big Thing’. It works like this: an author answers the ten questions below on his/her blog and then tags up to 5 other writers to do the same the following Wednesday. As in some things I still appear to be living in the 20th Century and keep no blog, the Holborn has kindly offered to guest-host me here. Thank you!

1. What is the working title of your next book?

Halos.

2. Where did the idea come from for the book?

Yikes, where do ideas come from? I guess – a dream, my own general philosophical musings and a challenge to myself? In this case, that is. It started with the dream, which I don’t actually remember anymore. That somehow fused with my endless musings effectively enough to tease me into taking the challenge. And that was that.

3. What genre does your book fall under?

Literary fiction with a light post-apocalyptic undertone.

4. What actors would you choose to play the part of your characters in a movie rendition?

Do I get to say I’d actually really like the actors to be unknowns with individual, real-people faces and bodies? If I let myself daydream about a screen rendition, it’s about something understated, grainy and truthful, in which the few science fiction elements are completely naturalized and absolutely no fuss is made about the fact that their story isn’t exactly set in the world we know.

5. What is the one-sentence synopsis of your book?

A brutal attack on an old lady in a small town exposes the more problematic aspects of the community’s good principles for human coexistence.

6. Will your book be self-published or represented by an agency?

I definitely need to give it another thick lick of paint before thinking about either seriously – punching it out as part of NaNoWriMo means it’s still a bit unpolished. After that, I’ll be nagging good friends for their invaluable opinions, and I’ll think about next steps following that round of improvements. Trying my fortune with formal representation would be cool though, and good practice in whichever advice it casts up (even if it does just serve to thicken my artistic skin).

7. How long did it take you to write the first draft of the manuscript?

Not very long at all, because I wrote it as part of National Novel Writing Month this November. So the bulk of the writing (50,000+ words) took  30 days. I did spend a couple of weeks in October plotting it out, to give me a handrail through the daunting task of averaging 1,666 daily words. I’m still tying up a few loose ends – so Draft 1.0 will have taken about two and a half (intense) months in total.

8. What other books would you compare this story to within your genre?

Ooo, this is fun. First in my mind is Under Milk Wood by Dylan Thomas. Speaking strictly, it’s a completely different kettle of fish. But it is about a small place, and it jumps between a gossiping ensemble of locals while unshyly steeping the listener in its love for words and voices, so I say it counts. Second, Arthur Miller’s The Crucible, for its youth-versus-adults conflict, and the metaphor of the witchhunt (though the ‘witchhunt’ element is rather more suppressed in the case ofmy excursion into ascriptions of blame and guilt). And because I can’t keep comparing this little novel to seminal theatre scripts, let’s go for Claire Merle’s The Glimpse, a work of young adult fiction. It’s far more explicitly sci-fi, but also addresses questions about how we distinguish between people whom society values and those it doesn’t.

9. Who or what inspired you to write this book?

a) An idea of an idea found me.

b) I was shying away from a bigger project I’ve been mulling over for some years.

c) National Novel Writing Month came along and seemed like a decent opportunity to grab the good bull by the horns and write something from start to finish. And then there it was, fattening up pleasingly in a lengthening word document.

10. What else about the book might pique the reader’s interest?

You get to meet a lot of rather different people. You skip between their minds, but although you soon know them well, who did beat old Mrs Rider up in her bed, and why, is perplexing for a good long while. That should be at least a little bit intriguing. You also get the backdrop of a breathtaking U-shaped valley – I think you might like the view. And each chapter is built up like a short story, so you can dip in and out of a place that is familiar, skew, attractive, worrying, complicated and brief.

So, continuing the special spin on the ‘authors only’ theme, my nominations for Next Big Thing include comedians and photographers alongside authors:

Robert Frimston is from the UK, and the Northern half of the Frimston and Rowett comedy duo. Maybe he can tell us something about plotting a mime – who says you need words to tell a story? But he’s also got some pretty funny words up his sleeve. If we bully him, he might even tell us about the scripts for television he’s been thinking about. As, like me, he is no blogger, the long-suffering Ms Laura / Stark will be prevailed upon to host another poster. (Pretty please?) Frimbs gets to tweak the 10 questions to suit the sketch-iness of the stand-up genre. Go on Rob, make us laugh. (http://www.frimstonandrowett.com/)

Simon Griffee – photographer. Born on the South American continent. Travels, works. Continues to work and travel. Currently based in Rome, Italy. (www.simongriffee.com)

Amber Ruth Paulen grew on a farm in Howard City, Michigan. She left the USA on a one-way ticket when she was twenty-two. Between then and now, she’s lived mostly in Europe, travelling whenever she can. She is currently living in Rome, Italy. Her first manuscript, The Body’s Long Madness is seeking publication – though I believe she may choose to tell us about a new work in progress. (http://descriptedlines.com/about/)

Ariana Salvo was born in the US, raised on the Mediterranean island of Cyprus, and has lived in Italy, the US, and Canada (where she is currently to be found). A lover of language, travel, colour, and the natural world, I’ll leave it up to her which stories (poetry? travel writing? novelling?) she’d like to tell us in the authorial 10 questions next Wednesday. (http://routesofpresence.blogspot.it/)

A Study in Purple: Born and raised in Singapore, from and student in the UK and currently living in Middle Earth, this one’s also traversed a fair few photogenic places. She likes photography, dancing and protecting the environment.  As above, I do think photographs are A Big Thing too, with swirling narratives snapped up and held still for one minute moment. (http://a-study-in-purple.blogspot.it/)

And so it goes. Tune in next Wednesday for another installment, with a special guest who might just be the Next Big Thing…

The Next Big Thing

6 Dec

Last week the ever delectable fantasy author Lucy C Hounsom tagged me to be part of the Next Big Thing. Here is how it works: an author answers the ten questions below on his/her blog and then tags up to 5 other writers to do the same the following Wednesday. However, just to be maverick I’ve decided to tweak the rules some and nominate not just authors, but some very talented illustrators, writers, poets and filmmakers I know.

So what are we waiting for? Away!

1. What is the working title of your next book?

NUNSLINGER.

2. Where did the idea come from for the book?

Whilst I was idly watching a 1970s Western one day, I think it was Madron. Nuns tend to be a staple of the Western genre;  but  they always end up forsaking their vows in the face of the lawless West and getting it on with the gunslinger. I wanted to write a nun who stuck to her guns (sorry) and faced up to the challenges the frontier would present her convictions.

3. What genre does your book fall under?

Western. Although I like to think it has more heart than your everyday ripped camisole and gun fight stories, so if it exists, Literary Western?

4. What actors would you choose to play the part of your characters in a movie rendition?

I thought about this about this quite a lot when Phil was doing the cover and full page illustrations. In the end, I decided that Grace Kelly would make the perfect Sister Thomas Josephine; she had that icy, unapproachable beauty. Lieutenant Theodore F. Carthy would certainly be a Robert Redford sort – in his more grizzled days.

5. What is the one-sentence synopsis of your book?

1864. The Laramie Plains, Wyoming:The True Tale of how Sister Thomas Josephine of St Louis, Missouri crossed the Overland Trail to Sacramento, California with the help of one John C. Muir.

and COMING UP:

1864. Carson City, Nevada:The True Tale of how Sister Thomas Josephine of St Louis, Missouri, came to be Wanted for Murder and faced the Gallows in Carson City, the New State of Nevada.

6. Will your book be self-published or represented by an agency?

A bit of both I suppose; there’s been interest from the agency world, but I’ve also published Nunslinger via KDP on Amazon and made it available on iTunes. Sister Thomas Josephine’s true home is in pulp, though, so it may be time for a proper Penny Western print run, especially to showcase Phil’s amazing illustrations in the flesh!

7. How long did it take you to write the first draft of the manuscript?

Not long; about 2 months including research. Originally Nunslinger was a side project; an antidote to the novel I am also working on. It’s ridiculously fun to write.

8. What other books would you compare this story to within your genre?

I was bowled over recently by The Sisters Brothers by Patrick deWitt. I’m not sure I’d like to compare it side-by-side with Nunslinger but it has a similar feel to what I’m aiming for: a refreshed, renewed Western, full of human comedy and sadness, more than a little self aware.

9. Who or what inspired you to write this book?

The inspiration for Thomas Josephine’s character must draw from the range of strong, female voices I have encountered in fiction and reality. For the most part they are determined, imperfect, passionate women. Her strong sense of empathy in the face of moral uncertainty comes from my dad; we share a conviction about how important this is in our everyday lives.

10. What else about the book might pique the reader’s interest?

So a nun with pistols in the lawless frontier of Nevada doesn’t interest you? Would a nun with a shotgun, brothels, deserters, hangings, a silver rush, revenge and a brawl with a bishop hit the spot?

So, twisting the ‘authors only’ theme, my nominations for Next Big Thing are a motley crew of wordsmiths and artisans :

Becky Preston  After having to deal with a number of disillusioning truths early in life, (the fact that an illustrated Hobbit already existed and that being an archaeologist wasn’t quite the same as being Indiana Jones) Becky discovered her true calling for film after seeing The Lord of the Rings. She took a gap year, studied film at the LFA, got her first job as a runner and never looked back. With her technological skills and story-telling obsession, Becky worked as an editor before writing and directing her first feature film, Lovelorn. This went on to win 29 international awards and is now available on DVD in the US. While still masquerading as an editor by day Becky is currently filling notebooks with ideas for her second film, a thriller entitled Selkie Bay… @beckyspreston

Alashiya Gordes has a BA in Engligh Literature from Cambridge University. She is obsessed with new languages (speaks 5 and the list is growing) and as a consequence can usually be found punning. After Cambridge she completed an MSc in Environmental Policy at Oxford, because she likes the environment and thinks everyone should have enough food. She is currently living the Italian dream in Bella Roma, working for the UN’s Food and Agriculture Organization. She loves acting and scribbling poems and short prose, which have been published in anthologies such as the Mays 17. She decided to get over the fear of writing a novel by forcing herself to do 50, 000 words in a month for NaNoWriMo. Alashiya will be the guest interviewee on Laura’s blog Butterstruck.com for the Next Big Thing next Wedneday.

Philip Harris is a freelance Illustrator currently living and working in Devon, UK. His clients included Shred publishing, Plymouth city Council, Vice magazine, Murder by Death, Paul Besselle, Idiom, No guts no glory, York notes, Ragged Cover Publishing, Rachael Dadd, Plymouth arts Center and Soundshock. He has been Featured in the AOI’s Images 34, Highly commended in Cheltenham Illustration awards, Highly commended in the McMillan Prize Children’s picture book Illustration, Short listed for the Vauxhall Collective and Shortlisted for the Ctrl alt shift comic competition. He is represented by No-way.

Daniel Humphrey is the Editor of OFF LIFE, the UK’s only street press comic magazine. Each issue we’ll be collecting comic stories from today’s best indie talent, compiling them in a bi-monthly magazine and then leaving them around bars, coffee houses, shops and galleries for good people like you to pick up – free of charge. Our aim is to provide a platform for up-and-coming talent while opening comics to a whole new audience. Sure Spider-man is fun and Wolverine is tough but at their best comics are as smart, adult and culturally relevant as any novel, film or classical art. We hope that OFF LIFE will be a stepping stone to all the works of genius that exist out there in four-colour print because bold voices in every art form deserve a place to shine. Yes, even comic slingers. @offlife_comic

Nunslinger: Illustrated

16 Sep

© L Hounsom & P Harris 2012 All rights reserved

Exciting news for fans of Nunslingerif you can’t wait for the next instalment of tales from the lawless Wild West, then we have here a snippet of original artwork, produced by the inimitable Mr Philip Harris, the gentleman who is also responsible for Nunslinger‘s distinctive cover design. 

Artwork will be included with all e-book downloads as of 21st September. Nunslinger is available for Kindle via Amazon, and for a limited time as a FREE e-book on iTunes. See the downloads page for more information on that. 

In the meantime, to keep you warmer than moonshine on a moonless night, Mr Holborn has reluctantly agreed to part with the title for the upcoming Nunslinger sequel. According to the rumour mill, part two will hit us sometime this autumn. Or fall, depending on where your loyalties lie: 

1864. Carson City, Nevada. 

The True Tale of how Sister Thomas Josephine of St Louis, Missouri, came to be Wanted for Murder and faced the Gallows in Carson City, the New State of Nevada

Nunslinger

6 Jun

NUNSLINGER

The True Tale of how Sister Thomas Josephine of St Louis, Missouri crossed the Overland Trail to Sacramento, California with the help of one John C. Muir

1864. The Laramie Plains, Wyoming. 

‘I caught the sound of boots, marching in formation and knew my time had run out. Clenching my teeth, I looked him dead in the eye.

“It may be God’s will, sir, but it is my will too.”

I pulled the trigger.’

The first instalment in Stark Holborn’s NUNSLINGER Penny Western series, now available on Kindle, for e-reader and in PDF download; visit the download page.

Illustrations by Philip Harris

All Rights Reserved

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